In this paper I intend to grapple with the idea of philosophy as rigorous science from the point of view of Husserl‟s phenomenology in order to show that this idea may have an important contribution to the way in which the scientific character of sciences in general, and of human and social sciences in particular, is being conceived. As rigorous science, phenomenology emphasizes and investigates the a priori context of other sciences. In this way, it plays a vital role in (...) the development of every particular eidetic upon which any sciences rely. This eidetic (or the eidetic layer of any mature science) embraces the goal and strives to reach the objective of determining the valid sense of the fundamental notions used by the scientist in his research, without, nevertheless, stirring a radical questioning of this sense and of the ultimate validity of these notions. To define them requires passing from the usual level of inquiring of that particular science (the processes of dealing with facts and experiments) to the level (or meta-level) of a radical reflection on the sense or the meaning of the basic notions of the science in question (its own foundations). Philosophy as rigorous science connects the researcher´s assertions not only to the empirical state of affairs envisaged by his work, but, moreover and in a fundamental way, to their noematic content, to their intrinsic intentional meaning. Therefore, the idea of rigorous science elaborated in Husserl‟s phenomenology is heavy with the potential of clarifying the foundations and stakes of the research undertaken by the other sciences. (shrink)

In this paper I aim to show that the philosophy of Mihai Şora can both be seen as a phenomenological treatment of being and as a general theory of being in its most rigorous sense. At least, this philosophy could be designated as a phenomenological ontology which opens up itself towards an originally metaphysical perspective based on a specific type of knowledge of the sort of “global disclosure”. I will argue too that within Şora's philosophy one can have a twofold (...) approach: one starts from what we could call the phenomenology of the “common givenness” (“ordinary/ quotidian givenness”) and then proceeds (in a phenomenological manner) to a general theory of being, which is represented in Şora's philosophy by the constitution of the model of the “sphere with the null ray”; the second commences with the treatment of the ontological model as such (the model, which is already formed, represents in the end the symbolic structure of reality), that is, from this “general theory of being” (or of the constitution of being) and then advances step by step towards various (phenomenological) applications of this ontological model to the multifaceted spheres of the domain of being (the sphere of language, of temporality, of ethics, of the social, of politics, etc.). (shrink)

In this paper I aim to show that the issue of the constitution of time in Husserl’s thought can not be fully exhausted by a descriptive analysis of the immanent level of consciousness and it rather asks for a deeper search at a pre-immanent (and pre-subjective) level. The way Husserl developes his interpretation regarding the constitution of time leads the descriptive (phenomenological) method to an impasse. Because of this, the Husserlian analysis proceeds to some techniques which bear on what some (...) commentators called a constructive phenomenology. The central point that I argue for in this study is that the premise from which Husserl starts his examination of the constitution of time is ab initio problematic or debatable: that is, consciousness forms the origin of time and one could reach this source by following the path oppened by descriptive analysis. I will hold that time rather originates in the encounter between consciousness and objects or between consciousness and other consciousness (i.e. founded/originated in a relation). (shrink)

Dans ce travail, je me propose d'examiner, en réfléchissant sur l'apophatisme, les modalités par lesquelles la philosophie entre ou peut entrer en dialogue avec la théologie. L'ouverture vers la pensée théologique est fondée sur le fait que l'apophatisme philosophique peut être compris comme une étape préparatoire à l'apophatisme théologique: le dernier niveau auquel le philosophe peut arriver dans sa méditation peut correspondre à la première étape de la pensée apophatique à un niveau theologique.

The purpose of this paper is to show that the dichotomy between factual and eidetic represents one of the fundamental presuppositions of the Husserlian phenomenology. No authentic understanding of the phenomenological reduction and of its constitutive role for the transcendental phenomenology is possible without a proper understanding of this dichotomy and of its relevance for the transcendental problem. One of the questions I am going to discuss in this paper is the following: Could it be possible that both the dichotomy (...) between fact and essence and that between empirical and eidetic sciences is actually at work in Husserl’s Ideen I as a phenomenologically uninvestigated presupposition of his undertaking? The other matter I am going to address in this paper is the concept of originary givenness and the legitimacy of the knowledge based on it (which is presupposed by the “principle of all principles” which Husserl formulates in Ideen I). I will argue that this concept is a revolutionary idea not only from a philosophical standpoint, but also from a more general scientific one, because it offers a new criteria of knowledge, that of the originary donating intuition. (shrink)

According to Husserl, time represents the general characteristic of all inner experiences (Erlebnisse) of consciousness and the internal time-consciousness is, together with intentionality, one of the two general structures of the pure transcendental consciousness. The problem of the consitution of the objectivity of the knowledge of the world pressuposes as a first level of inquiry exactly the consciousness of time and the detachment of the specific structures of this consciousness. However, the problem of the constitution of time cannot be exhausted (...) throughout a descriptive analysis of the immanent level of consciousness for it asks for a diving to a pre-imanent (pre-subjective) level and requires some procedures which rather belong to what we could call constructive phenomenology. The central point which I am arguing for in this study is that the premise from which Husserl starts in his analysis dedicated to the constitution of time is from the beginning problematic and debatable: that is, consciousness as such would represent the origin of time and that one could reach this origin by following the line of a descriptive analysis. (shrink)

My aim in this paper is to analyze the way in which Edmund Husserl deals with the problem of the constitution of image in his writings. The difference between a common thing and a work of art lies in the fact that the ‘thing’ is submitted as an object to perception, while the work of art is the product of the human capacity called imagination or fantasy (Phantasie). Therefore, the difference between perception (which is an objectifying act) and imagination (which (...) refers to a mental representation) is the fundamental difference Husserl operates with in his analysis of the phenomenological problem of the image building. I also want to show that Husserl’s analysis of the constitution of the image is fundamental in the understanding of the work of art (aesthetic phenomena including) and of its difference from a common thing. From the point of view of the History of Philosophy, the Husserlian analysis presupposes the overcoming of the classical opposition between subject and object, and the aesthetic experience is one of the (privileged) ways through which this overcoming can be achieved. (shrink)

The present contribution has the purpose of evidencing both the originality of Şora’s understanding of time (and its importance for the question of authenticity, empathy and intersubjectivity), and the possibility of a dialogue with Husserl’s understanding of the consciousness of internal time. One of the most important aspects of my paper is the endeavour to bring to light the underlying structure of temporality at work in Mihai Şora’s philosophy. The two forms of temporality present in Şora’s thought – the temporality (...) “of the Moment” and that “of the instances of countable time” – open up the possibility of a phenomenological understanding of time. Some specific terms which Şora uses to describe the two forms of temporality – like the “vertical plunge”, “openness”, “disclosure”, “the gift of Encounter”, “the horizontal walk”, etc. – seem, at least at first, to belong to a poetic language, full of metaphors, a language which doesn’t seem to have much in common with the rigors of a philosophical language, but they nevertheless reveal some fundamental characteristics of the two forms of temporality. The possibility of understanding and interpreting these forms of temporality as structures belonging to the consciousness of time, in a broad sense (which correspond to the fabric of the real word, according to Şora’s ontological model), is another interesting question which will be debated in the present study. (shrink)

My aim here is to analyze a few possible ways of transcending the dichotomous character of philosophical thinking. I focus on Mihai Şora’s philosophy because it is best suited for this goal. The question that will guide this paper is whether it is possible to go beyond the dichotomous nature of philosophy. My thesis will be that, when considering Mihai Şora’s thought, one can answer in the affirmative. We look for the details of Şora’s philosophy which allow us to set (...) forth how actually takes place the transcendence of the dichotomist view. We focus on the concept called “the organic entanglement” since it is the core of Şora’s approach. (shrink)

In his fifth Logical Investigation, Husserl intensely scrutinizes three possible significations of the concept of consciousness. In these analyses, he also strives to clearly delineate between two types of consciousness: psychological and phenomenological. The goal of this paper is to show that the way in which the (psychical) act is conceived and defined, according to the Husserlian approach, as a lived, intentional experience plays an essential role in clarifying the distinction between the empirical-psychological level of consciousness (where the act as (...) a lived experience manifests itself) and its eidetic or ideal level (wherein any type of objectivity is constituted as such). Moreover, I shall try to argue that the notion of act conceived in this manner had influenced and decisively determined the development of the entire Husserlian phenomenology and theory of knowledge exactly because it explains how knowledge in general is constituted from an objective point of view. Another highly relevant distinction that needs to be dealt with in this context is the difference that Husserl establishes between the descriptive and intentional contents of the act. I shall try to show that this distinction presupposes in fact a previous conceptual determination of the noema (undertaken jointly with the analysis of the noetical components of consciousness at this level), and that the way in which the relationship between these two strands of consciousness is described determines further and in a fundamental manner the development of the idea of intentionality itself. (shrink)

In this paper I argue that the existence of human reason gives us good reason to suppose that God exists. If the world were as the materialist supposes it is, then we would not be able to reason to the conclusion that this is so. This contention is often challenged by the claim that mental and physical explanations can be given for the same event. But a close examination of the question of explanatory compatibility reveals that the sort of explanation (...) that would have to be given for the event of, say, inferring that atheism is true, is incompatible with the event being explicable as a purely physical product of a purely physical universe. (shrink)

In our exchange in the book, C. S. Lewis’s Christian Apologetics: Pro and Con, edited by Gregory Bassham, David Kyle Johnson argued that four naturalistic views, property dualism, the identity theory, epiphenomenalism, and eliminative materialism, can all meet the challenge posed by a C. S. Lewis–style argument from reason. I maintain that his response fails to take into account what a consistent naturalism is committed to, and that his defenses of these positions fail to put those positions in the clear.

THIS PAPER IS A DISCUSSION OF MACKIE’S HUMEAN ARGUMENT THAT MIRACLES CANNOT PLAY A ROLE IN A CASE FOR THEISM. I ARGUE THAT MACKIE IS MISTAKEN IN CONTENDING THAT MIRACLES CANNOT FORM PART OF A CASE FOR THEISM. IF THERE IS EVIDENCE THAT CERTAIN EVENTS DEVIATE FROM THE ORDINARY COURSE OF NATURE, AND IF AFFIRMING THE EXISTENCE OF GOD WOULD RENDER THAT EVIDENCE MORE COMPREHENSIBLE THAN OTHERWISE, THEN IT MUST BE ADMITTED THAT EVIDENCE THAT THESE EVENTS HAVE OCCURRED IS EVIDENCE (...) THAT GOD EXISTS. (shrink)

This chapter contains sections titled: Introduction The Nature of the Argument The History of the Argument Subdividing the Argument Five Popular Objections References.

In this radical critique of contemporary social theory, Eugene Halton argues that both modernism and postmodernism are damaged philosophies whose acceptance of the myths of the mind/body dichotomy make them incapable of solving our social dilemmas. Claiming that human beings should be understood as far more than simply a form of knowledge, social construction, or contingent difference, Halton argues that contemporary thought has lost touch with the spontaneous passions—or enchantment—of life. Exploring neglected works in twentieth century social thought and (...) philosophy—particularly the writings of Lewis Mumford and Charles Peirce—as well as the work of contemporary writers such as Vaclav Havel, Maya Angelou, Milan Kundera, Doris Lessing, and Victor Turner, Halton argues that reason is dependent upon nonrational forces—including sentiment, instinct, conjecture, imagination, and experience. We must, he argues, frame our questions in a way which encompasses both enchantment and critical reason, and he offers an outline here for doing so. A passionate plea for a fundamental reexamination of the entrenched assumptions of the modern era, this book deals with issues of vital concern to modern societies and should be read by scholars across disciplines. Robert Bellah: "This is an original, incisive, and badly needed book. In prose as vigorous as his argument, Halton addresses issues urgent in many disciplines, as well as in our common culture." "Halton takes the 'ghost in the machine' as a dominant defining metaphor for modern thought and life, and criticizes it with gusto, wit, wide reading, and philosophical acumen."—Robert J. Mulvaney, _Review of Metaphysics_. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Analogy of Grace: Karl Barth’s Moral Theology by Gerald McKenny, and: Christian Ethics as Witness: Barth’s Ethics for a World at Risk by David HaddorffVictor ThasiahThe Analogy of Grace: Karl Barth’s Moral Theology Gerald McKenny New York: Oxford University Press, 2010. 310 pp. $120.00Christian Ethics as Witness: Barth’s Ethics for a World at Risk David Haddorff Eugene, OR: Cascade Books, 2010. 482 pp. $54.00Karl Barth’s theology (...) remains a resource for Christian ethics. Let me suggest why. Instead of marginalizing or bracketing out consideration of divine agency, Barth presupposes God’s past, present, and future action; God’s inalienable subjectivity and indissoluble over-againstness in relationship (irreducible, for example, to ecclesial action); and God’s ongoing judgment of good and evil, and thus of moral thought and practice. These presuppositions determine the method, structure, content, and purpose of his theology and ethics. His concept of grace consists of God accomplishing the good in our place and on our behalf, a perspective more substantive than supplementary in nature. Finally, his eschatological view of human freedom involves resistance and responsibility—the freedom to resist evil (having been delivered from the determination of evil by grace) and the freedom to witness to God’s action in faith, love, and hope in the world. Barth’s work serves the field of Christian ethics well, burdened as we are by unprecedented global awareness with its challenges and uncertainties.Two new books on Barth’s theology and ethics seek to increase our understanding of his work and engage contemporary Christian moral thought and practice. Gerald McKenny’s The Analogy of Grace is now the indispensable guide to Barth’s ethics. His exposition is comprehensive, critical, and contextual as it relates Barth’s dogmatics to current academic work in Christian ethics and moral philosophy. The tradeoff, however, is that it pays insufficient attention to the ecclesial, cultural, and political contexts for embodying Barth’s ethics. McKenny makes an important contribution to our understanding of Barth’s work. By closely reading primary texts and secondary literature, McKenny shows that many of Barth’s critics and friends continue to misunderstand [End Page 192] him by resolving the unresolvable, airbrushing ambiguities and thus converting Barth’s “strange” ethics into a more conventional moral theory. McKenny argues that it is precisely the strangeness of Barth’s theology—with all its implications—that continues to challenge and contribute constructively to contemporary Christian ethics.What is so strange and significant about Barth’s work? For McKenny, it is Barth’s claim that “God resolves on the good from eternity in the determination of humanity in Jesus Christ to commission and service as active witnesses of God’s glory; fulfills it in time in the incarnation, life, death, resurrection, and ascension of Jesus Christ, who performs this commission and service in place of all of humanity; and summons, empowers, and directs human beings in every time to correspond to this fulfillment in their conduct” (288). Thus, our action should be modeled on God’s action; it should be an analogy of grace. “The telos of God’s grace is realized,” McKenny concludes, “when human beings in their action become the image of God” (208). The Analogy of Grace traces the way Barth develops this ontological and analogical vision as McKenny differentiates Barth’s work from modern theories that presuppose that people are relatively capable of knowing and doing the good.McKenny suggests that there is a possible deficiency in the way Barth’s account of divine agency determines the form and content of his theology and ethics. Barth’s consistent opposition to moral theories that emphasize observable signs of moral progress in either self or society results in the “liability” of the “extraordinarily qualified affirmation he gives to visible human goodness” (223). McKenny asks if Barth “does justice to the work of the Holy Spirit in our lives” and “can make sense of the participation of our action in God’s action or of the way in which the Holy Spirit accomplishes this participation” (223). In other words, Barth’s “extraordinarily qualified affirmation” might neglect the work of the Spirit in... (shrink)

English manuscript version of Afterword to German translation of Victor Turner's The Ritual Process. The Ritual Process is a pivotal book in the body of Victor Turner's works. The first three chapters, drawn from Turner's Henry Morgan lectures at the University of Rochester, reveal the richness and subtlety of his analysis of tribal ritual and social life. In the third chapter, he concentrates on the aspects of liminality and communitas found in Ndembu ritual and expands these in the (...) remainder of the book to universal categories of human experience. His masterful ethnography opens up to reveal the fundamental reality of the subjunctive mood in human affairs: the ritual process. In Turner's analyses of the Isoma and Wubwang'a rituals of the Ndembu of Northwestern Zambia, one sees the fantastic interplay between human affliction and symbolic renewal, between human communities and a natural environment teeming with signification. The Ndembu are revealed to be a people with a deep appreciation of the complexity of existence, and endowed with a sophisticated technics of meaning, a vast architectonic of felt, expressive forms through which to journey to those borderlands beyond human comprehensibility: death, the dead, the call of the mother-line, fecundity, transformation, the interstices of social structure. Turner reveals himself to be an initiate, not only to the rites revealed to him by the Ndembu, but to the centrality of ritual itself in tribal society and human affairs. Trained in the British structural-functionalist approach to social anthropology, Turner notes how the incessant call of the drums made him feel that he "was always on the outside looking in." Soon, however, Turner and his wife and collaborator Edith discarded their theoretical ear-plugs and answered the invitation of the drums. As observers and co-participants in Ndembu ritual the Turners' began to blaze a trail toward a new anthropology. (shrink)

. Human ceremonial ritual is considered as an evolved behavior, one of the principal effects of which is the promotion of intragroup cohesion by decreasing or eliminating intragroup aggression. It is seen as a major determinant of what Victor Turner calls communitas in human social groups of varying extension. The frequent paradoxical effect of ritual's promoting extragroup aggression at the same time that it diminishes intragroup aggression is considered. A neuroevolutionary model of the development and social effects of ritual (...) behavior is presented, being derived from both ethology and recent neurophysiological studies in humans. (shrink)

Humans are moral creatures. Among all life on Earth, we alone experience rich moral emotions, follow complex rules governing how we treat one another, and engage in moral dialogue. But how did human morality evolve? And can humans become morally evolved? -/- In A Better Ape, Victor Kumar and Richmond Campbell draw on the latest research in the biological and social sciences to explain the key role that morality has played in human evolution. They explore the moral traits that (...) humans share with chimpanzees; how a more complex moral mind enabled Homo sapiens to arise and out-compete other human species; and the place of morality alongside historic revolutions in technology and social organization. Throughout the book, Kumar and Campbell argue that morality co-evolved with intelligence and complex sociality. Morality prevents societal collapse and enables complex knowledge. -/- After unearthing the ancient origins of human morality, Kumar and Campbell use evolutionary theory to deliver profound insights about how to advance moral progress and resist moral regress, such as reducing animal suffering on industrial farms; capitalizing on the recent revolution in gay rights to foster a nascent revolution in transgender rights; opposing intersectional inequality that impacts women and people of color in lower socioeconomic classes; and addressing major problems of global inequality, especially impending crises of injustice caused by anthropogenic climate change. Understanding how we evolved--and how we continue to evolve--can help us become a better ape. (shrink)

Bringing together Deleuze, Blanchot, and Foucault, this book provides a detailed and original exploration of the ideas that influenced Deleuze's thought leading up to and throughout his cinema volumes and, as a result, proposes a new definition of art. Examining Blanchot's suggestion that art and dream are "outside" of power, as imagination has neither reality nor truth, and Foucault's theory that power forms knowledge by valuing life, Eugene Brent Young relates these to both Deleuze's philosophy of time and his (...) work with Guattari on art. In doing so, he uses case studies from literature and popular film, including Kafka's Castle, Villeneuve's Arrival, and Kubrick's Eyes Wide Shut. Providing important new insights for those working in literary and cinematic studies, this book advances a new definition of art as that which reverses the realities and truths of power to express obscure ideas and values beyond both our exterior and interior worlds. (shrink)

Attachment -- Awake -- Awareness -- Actions -- Breath -- Buddha -- Chakras -- Change -- Compassion -- Control -- Conversion -- Criticism -- Divinity -- Emotions -- Empathy -- Forgiveness -- Gatha -- Generosity -- Generosity (part 2) -- Happiness -- Humility -- Identifying -- Illusions -- Judging -- Karma -- Karma (part 2) -- Kindness -- Lessons -- Loving-kindness -- Meditation -- Mind -- Namaste -- Nonattachment -- Nonharming -- Nonharming (part 2) -- Openness -- Possessions -- Practice (...) -- Quest -- Reincarnation -- Religion -- Requiring more -- Reverence -- Scripture -- Seeing -- Self -- Spirituality -- Suffering -- Teachers -- Thoughts -- Tonglen -- Transcending -- Treasure -- Tumo -- Understanding -- Virtues -- Worlds -- The mathematic symbol for the unknown -- Xenophilia -- Yoga -- Yoga (part 2) -- Yuga -- Zen. (shrink)

El texto combina una mirada sobre algunos elementos filosóficos y aspectos anecdóticos que ligan a Heidegger, el ser, el pensar y la pregunta por la metafísica con un eventual curso de “Lógica” dictado en 1934 y cuyo contenido es la relación ética entre el hombre y el Estado. Al final aparece la figura del Führer, sus manos y el destino de la humanidad.

Contents I Introduction II Subalternation and Theology III Theology and Dogmatic Declarations IV The Mixed Principles of Theology V Virtual Revelation: The Unity of Theology VI Theology as a Natural Science VII Theology’s Certitude VIII Conclusion Notes Bibliography All the contents are fully attributable to the author, Doctor Victor Salas. Should you wish to get this text republished, get in touch with the author or the editorial committee of the Studia Poinsotiana. Insofar as possible, we will be happy to (...) broker your contact. (shrink)